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Review: The Heretic
Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ...
Review: Queen Lear
For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in...
The Last Post
Dear Readers As some of you will already know, I've decided to close down Theatre Notes. It's a decision that's been staring m...
Review: Baal
Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton'...
"Sh*t self-righteous theatre bloggers say"
Update: Jana Perkovic weighs in at Guerilla Semiotics . Well worth the read. Update 2: The Guardian 's Noises Off rounds up the brouha...
The Birthday Party revisited
Director Julian Meyrick has answered reviews of his production of Harold Pinter’s The Birthday Party with an essay which is posted today on...
Seven Jewish Children
Update: George Hunka on British playwrights , responding to David Cote's Time Out blog , is a must-read. And see Andrew Haydon in the G...
Review: King Lear/The Seagull
King Lear by William Shakespeare and The Seagull by Anton Chekhov, directed byTrevor Nunn. Designed by Christopher Oram, lighting design b...
Queen Lear updates
The debate around Queen Lear has been going on, and on. It's not only in the monster thread under my review , which broke even the reco...
Ms A's Guide To Theatre Etiquette
I see that Dr Peter West, retired university lecturer and social commentator, is in today's Age fulminating on the bad manners of Young...
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